A spotlight on…

Dear Malvern Farm Murder Club members,

Thank you for coming to find out more about my wonderful guests that you are meeting in my newsletters.

The most recent interview will be at the top but do scroll down to see who else has made a guest appearance.


HELEN THOMAS

1 – Your family has been making cider in Much Marcle for almost 150 years now. How has the company grown and changed in that time?  We’ve grown so much over the years, but still remained a family run, independent cider maker. Westons are still in the same location and today we are producing over 64 million litres of cider annually.

2 – What makes Herefordshire apples so good for cider? The apple varieties found here are traditional, cider making varieties. They range from bittersweet to bittersharp and give our ciders there unmistakable character. All our apples are sourced from a 50 mile radius of the cider mill including our own orchards and from over 100 regional growers.

3 – You compete with some really big corporations for shelf space and yet I’m happy to say that I can now find Westons all over the country. What’s the secret of your success? It comes down to providing exceptional quality products, made with pride, passion and expertise that our consumers know and love.

4 – To anyone who says that cider isn’t for them, how would you persuade them to give Westons a try? What variety would be a good place for a cider-sceptic to begin? It depends on why they’ve said that.  It might be that they’ve tried older, traditional scrumpies, but there is so much more to cider and I would compare many to good wines these days. In fact there are many similarities in the process.

We offer a range of ciders for all occasions, including a new Henry Westons Vintage Pear which is sweeter and great with soft cheeses, we have a Stowford Press low alcohol 0.5% and many of our ciders are filtered and sparkling, alongside our still and cloudy varieties. My recommendation is to have your own cider tasting night with a selection and see which you prefer.

5 – If you hadn’t joined the family business, what could you see yourself doing instead? I love to travel and I love people, so if it wasn’t the family business, its likely I would’ve started my own company.   As a child I wanted to work in a circus or be a ballerina.

6 – What was it like growing up on a cider farm? Do you have any funny anecdotes from this time?   It was great fun and I have a lot of  great memories from this time. We also had to work hard and helping out in the factory  was normal, especially during the cider making season. We would quite often play hide and seek in the Oak Vat House and when snow was on the ground we would ambush the men and have snow ball fights!

TANIA TAY

Can you tell me a bit about your journey from first deciding you wanted to write to seeing the finished book out in the world.

My journey is very long and convoluted… You might want to fetch yourself a cuppa first… I’ve always been a bookworm and practically lived in my local library… I was the child walking and reading, till late and under the covers at night, often talking to myself while I played out the characters in my favourite stories in my head, in what I now realise was a weird form of fan fiction. In the school holidays, I wrote plays on an old typewriter which me and my neighbour persuaded (bullied) our siblings, and any visiting friends and cousins, to act, sing and dance in. I never thought I could write a real book though – it felt like you’d have to be this incredible genius to be an author.

My first foray into fiction as an adult was triggered by a job interview – I worked in advertising so was always having to look for a new job. A pretentious creative director asked me: ‘Are you a brave writer?’ Er… I didn’t think my direct marketing leaflet for Tena incontinence pads counted as being brave, so I took a short story writing class with Leone Ross at the City Lit. She made us write a story a week and then selected a few of us to work with her on an unpublished anthology. I tried to turn a few of my ideas into novels or screenplays, but didn’t really know what I was doing – the internet hadn’t really taken off in those days. I completely stopped writing for a few years when I had my second lot of children and became a cake decorator. But writing was still calling; I was always coming up with ideas, and certain stories and characters wouldn’t leave me alone.

I completed The Artist’s Way by Julia Cameron, which she calls ‘a 12-step programme for recovering artists’. It helped me overcome my lack of self esteem and I started rediscovering the joy of writing. I started with a few songs for my babies and eventually I downloaded an ebook called ‘How to write a Novel in a Month’ and started a fantasy novel for children. It took me a lot longer than a month to write the novel - I should have asked for my money back!

Along the way, I discovered SCBWI – the Society for Children’s Writers and Illustrators, and I found my writing tribe, as well as an advanced form of procrastination. Their workshops helped me develop my craft and I became a volunteer, running the writer’s retreat and the London Network. I facilitated many events in London, and being in a community of published and pre-published writers was amazing. I also attended a ton of workshops with The Golden Egg Academy, The Bookbound Writing Retreat and The London Screenwriters festival. I’ve experimented in just about every genre. I’ve written a picturebook, a young adult book, poetry… I’ve even tried erotic writing.

It’s taken me a long time to find my voice because I’m easily distracted. I read and love so many different genres. I first felt ready to submit to agents in 2018 with my YA novel, Lovespell. I had a few requests for the full manuscript, and a couple of offers to look at it again after some suggested revisions. But after doing the City University Crime Writing evening course with Caroline Green, I started writing a domestic suspense book for adults so I decided not to carry on with my YA book. I worked on the adult book with the help of Sophie Mackenzie over Zoom workshops in the lockdown period. Finally in 2022 I entered the first few chapters in a competition run by Headline. I was shortlisted and had to finish the novel by August 2022 and by September they told me I’d won a publishing contract. After a few rounds of edits, The Other Woman was published in May 2024.

I absolutely loved reading The Other Woman. There are plenty of surprises in the book, not least that twisty, gripping ending!! Did the book surprise you at all when you were writing it, or did you know every beat before you started?

I didn’t really know anything when I started out – I just had these two characters, friends from uni, one with children, one childless. I did try to plan it but my plan was really muddled and changed a lot in the process. I considered writing it from the other character’s point of view but most of the feedback I received said Jade was the character people would empathise with the most.

In an early one-to-one session with an agent, they advised I needed a big twist in the middle and one near the end. It was a long and torturous process coming up with the twists as my brain doesn’t seem to work that way. The biggest surprise has been that readers have enjoyed the twists and didn’t see them coming. I’d been worried that readers would find them boring and predictable. Luckily only the two-star reviewers have thought this so far.

It is a story built on a woman’s insecurities which I think will resonate with many readers. Did you find that an easy thing to write about?

I’m very insecure about just about everything, and I always imagine the worse. So yes, it was easy to write about insecurities! To be honest, I didn’t think of the character being insecure as such, these worries feel perfectly normal… Maybe I’m revealing a bit too much about myself!

How have you found the debut experience? Is there anything you’d say to yourself if you could time travel back to before you signed the contract?

Despite it being an amazing experience, I’ve found it quite stressful – as I’ve just said, I’m insecure! I’ve felt lots of ups and downs about it. If I could time travel, I would tell myself to try to enjoy it more, to stay relaxed and not worry about things I can’t change. There’s not much I can do about how much the book sells, and as long as a few people whose taste I respect have enjoyed reading it, that should be good enough.

You also write for children under the pen-name Crystal Sung. How different are your two writing worlds and how much do they collide?

My work under pen name Crystal Sung is for Storymix Studio and I am effectively a ghost writer of the Spellcasters series. Storymix come up with the plotlines and story ideas, I just bring their ideas to life. I really enjoy this work, as coming up with the plot and story is the hardest part of writing for me. This way, I can enjoy writing descriptions and character details and not angst about getting the plot right. Many of my kidlit writer friends have started writing for adults as well, so my writing community has effectively stayed the same, with the addition of the crime writing community who are just as welcoming and wonderful.

If you could live the life of another woman from any time or place, who would it be?

I don’t react well to racism and misogyny so if I lived as a woman in the past, I would probably be dead, a slave or in prison. Much as I admire some strong women in history, women’s lives were full of trauma and conflict, which I’m not good at. I’m happy to live as a woman now, and contribute towards making women’s lives better in the future. We seem to be regressing somewhat currently so I think there is plenty we can do right now, to improve women’s lives, and attitudes towards us. I hope some of the themes in my writing can do a small part to help enlighten people.

emma gray

Not long ago you moved, with your family, to the Isle of Bute. On your YouTube channel it looks beautiful but I bet there are some challenges that come with island life. What are the biggest pros and cons? 

The biggest advantage to living on an island is the fact that there is pretty much no crime, because even if someone does manage to steal something they can’t get off the island so they would be quickly caught. But of course the biggest disadvantage to living on an Island is the boats, they can be expensive if you need to make regular trips, they’re also time-consuming and can make it  hard to manage your time.

Your two memoirs are brilliantly written; honest and authentic. How did it feel putting your life down on paper and then waiting for people to read it, heart aches and all?

I’m so very proud of my books, I never thought I would ever get the opportunity to do something like that and was very honoured to be able to. I don’t class myself as a writer because I’m really not, I just wrote down what has happened in my life and was lucky enough that some people found it interesting. I absolutely take my hat off to proper writers who can actually create amazing stories and structure plots! 

Do you think there might be more books to come, or are your hands busy enough being a mum, farmer and dog trainer?

Potentially there could be another book in the pipeline, but because they’re written about real life I don’t feel that the conclusion is there yet, so maybe in a couple of years time I’ll decide the time is right and my book is completed!

Being an award-winning sheepdog trainer, you have met plenty of dogs in your time. Have you got any funny tales from training or trialling your dogs?

I think the funniest one was potentially when I went into one of the farm merchants to buy a horse lunge whip, it’s a really long whip that you use for driving horses pulling carriages. I’d seen a video online that you could use it to flick in front of your dog to send them out wider on the sheep, and decided to put this plan into action. So I went to the agri merchant put the enormous whip in my shopping trolley and went to purchase it. Whilst I was checking it out the guy behind the till asked me if I would like to purchase some horse wormer, to which I replied no I don’t have a horse. He looked at me and looked at the whip and looked at me again and I turned scarlet! 

Farming life can be tough, not least because of the many constant changes. If you had to pick two of the biggest issues facing modern farmers right now, what would you say they are?

The biggest challenge faced by farmers at the moment is the massive push towards turning good farmland into rewilding sites, although this might be good in principle, I think it’s very dangerous for a country especially an island. Britain has long been pastoral, and although trees certainly have a place in our landscape I think covering good ground with them is folly. Also I’m concerned about the amount of family farms been bought up by massive corporate companies in order to offset their emissions. I think the whole thing is stupid because it’s not like the ground didn’t exist in the first place a corporate company buying it up to offset the missions doesn’t make sense to me . 

If you won big on the Euro Lottery, what would be the first thing you’d splash out on?

If I win the lottery I will go right out and buy an amazing farm, maybe even the farm that we live on right now, it’s potentially never an option but it’s nice to dream about!

Nicola baker

Congratulations on the imminent release of your gorgeous new series. If you could wish for child readers to take one thing away with them from your books, what would it be?

It would be lovely to spark an interest in rural life whether it’s the countryside, animals and nature or farming. Our British countryside is wonderful so if it creates a connection with that I’ll be very happy.

 

How much of the books draw on your own experiences of life on the farm?

The books are fictional but I’ve peppered them with things I know about or have experienced myself. I think all writers put some of their own experiences into their work whether it’s friendships, jobs, interesting people they’ve met or places they’ve been.    

Book 1 is called Finding Hope. Today’s world is often quite a worrying place to be. Where do you turn when you need to find some hope yourself?

Family is really important to me and we share a lot together – they always manage to make me smile. Being outside helps too. I always find a bit of fresh air blows the cobwebs away.

 

You have so many really full-on elements to juggle in your life. How do you make it all work?

I like being busy and doing lots of different things! It sometimes takes a bit more thought or planning but there’s always a way to fit in things you want to do. I have lots of lists of things to be done and tick them off as I go – you just have to be realistic about what you put on the list for a day!

 

Do you have any funny off-camera stories from the filming of Our Farm in the Dales?

There are five miniature donkeys on the farm – Luna, Sophia, Winifred, Augustine and Pavlova and very early on in our time filming they escaped from their field. All of a sudden they were running off down the farm track! Matt chased after them so they couldn’t get too far – luckily he had his phone in his pocket so rang us to come and help as we were all in the house making a quick cup of tea! The cameraman grabbed his camera to catch the end of their attempted escape which actually made it onto one of the episodes. It was this moment that inspired one of the first builds – a new donkey fence!

 

Has Matt ever taken you on the rickshaw?

Yes – I even had a little go at pedalling it and it’s really hard! I don’t know how he managed to get from Edinburgh to London the first year he did it. Bizarrely we have two in the barn - Rickshaw Mark 1 and Mark 2. I’m so proud of him for the millions of pounds he’s raised for Children in Need over the years.

 

What can we expect from book 2?

The books in the Whistledown Farm series are all set in a different season and book 2 has an autumnal feel. Ava’s back at the farm and has plenty to keep her occupied again! There’s woodland adventures, harvest festivals, a village show, problems to solve and all the characters and animals from Finding Hope. I really like book 2! I’ve just seen an initial cover idea for book 2 by the illustrator Rachael Dean and I love it!

ALEX FORBES

You haven’t always been a bookseller. What made you decide to make the jump into the world of books?

I had worked in financial services for over 12 years at which point I was given 3 years notice of redundancy. That’s a long time to think about ‘What’s Next?’. I knew I was good at my job, but that world didn’t excite me. I imagined what I would do if I won the lottery....and owning a bookshop was at the top of the list (alongside being a football manager). I’ve always loved books and I enjoyed attending local author events. I was at one event in particular which had huge queues for the authors when I thought “Why can’t I do this?”

The day after that event I saw an article in The Guardian reporting that the number of indie bookshops in the UK had increased year on year for the first time in several years. The question then became “Why not?” The whole thing sort of snowballed from there and I opened the doors 10 months later. It’s nothing like I imagined. A hundred times more fulfilling than I dreamed, but equally much more hard work than I envisaged.

I should also add that I went on a date during my career deliberations and told the beautiful lady in front of me that I was leaving my job and opening a bookshop. She said that was the line that earned me the 2nd date. On our 2nd date she arrived with her favourite books she liked to share with her 8 year old son. We are now married, have a little baby of our own and I couldn’t be happier. If the bookshop closes it’s given me the best 4 years I could wish for.

What do you love most about running a bookshop?

Books and people. Being part of the community is really special. It’s about seeing kids getting excited about reading or when they get the next book in their favourite series. Having customers stick their head into the shop to say they loved a recent recommendation. Getting to talk about the power and beauty of books every single day. It’s about meeting authors and celebrating their work and seeing their efforts and hard work come to fruition. It’s about kids reading, we did a recent school tour and went to a school in the one of the poorest parts of Reading. They’d never had an author visit before and one of the kids said to his friend after the visit “That was the best school day ever”. I’m not sure there’s a better feeling.

You’re in the process of setting up the inaugural Reading Book Festival. What can you tell us about that?

I’m really excited about Fourbears Fest ‘24 AKA The Reading and Caversham Book Festival which will take place next May. The venues are secured, the website is designed, and we are approaching some fantastic authors to come and talk about their amazing books. It will be Friday 17th – Sunday 19th May with a weekend of children’s authors events in Caversham, and a weekend of adult events in central Reading. It will be for all ages, with a real mix of genres and styles. Hopefully something for everyone. One element I need to consider is that teens read a lot; BookTok shows us they do. But we don’t see them in the shop, or at events or engaging with us on Social Media. That’s a challenge I want to take on. It may not be solved for this festival but we are taking authors to some sixth forms in the new year to try and develop this area of our readership.

We’d like the festival to become a regular in the calendar for people across Reading and help get word out about the shop while elevating our events programme to the next level. We see neighbouring bookshops selling out 2,000 seat theatres for author events, and the question returns ”Why can’t I do that?”. It will take time to build up a good reputation with authors, publishers and audiences alike, but in a few years, I’d love to be able to have some of the biggest names with hundreds of people in the audience. I know that it will take a lot of work, and events won’t always go to plan as we gain experience, but the possibilities are so exciting. One day I'd love The Hexagon Theatre in Reading to be full for an author visit organised by Fourbears Books. It just sounds great. It may be too big a dream but it’s something to aim for, with Fourbears Fest ‘24 being the first of many smaller steps along the way.

You’re no stranger to life on a farm. Could you share a story or two from your childhood on your grandparents’ farm?

Ahhhh I love the farm so much! It’s in the north-east of Scotland, an hour past Aberdeen near a coastal village called Buckie. It’s cold, always very cold. With any story just remember I was cold throughout.

When I was a boy I used to follow my Grandad around everywhere. I was up at the crack of dawn getting ready to milk the cows, and I'd stay with him until the animals were sorted last thing at night. One day when I was aged about 10 it was a rare treat to discover that my Uncle Ian, who worked on the farm, was joining Grandad and I for the morning’s work. The three of us built a fence around one of the fields. When we were finished Ian asked me to pretend I was a sheep, and to try and get through the gaps. I duly got on all fours and nudged the fence with my head. At this point Ian started prodding me in the ribs with his stick. I turned to look at him. Ian was laughing. My Grandad asked me to try again. This time the prodding in the ribs came from the other side where my Grandad was standing. I stood up and they were both chuckling. They slapped me on the back and we headed back for lunch. Over lunch my mum asked what we had been doing that morning, and as I recounted the rib nudging I saw her getting redder and redder. She then jumped up and shouted at my Grandad “HOW DARE YOU TEST AN ELECTRIC FENCE ON MY BOY”. It’s the only time I’ve seen my Grandad look sheepish (excuse the pun).

There are many other stories I could tell including lambing season with all its beauty and tragedy within minutes; sleeping in the worlds tiniest bed in a shepherds hut in the middle of the field with my Grandad; getting stabbed (scratched) by a pitch fork held by my cousin and I thought I was going to die; falling in the dam more times than is healthy; the chook house and it’s terrors; my inspirational Nanny, who passed last year, and her wonderful homemade soup; being scared (to this day) of the Black Hole in the wall, which one day will be a short story; and as an 8-year-old single handedly chopping wood using a machine operated circular saw not realising it could easily take me apart.

We revisited the farm recently as it’s being sold after 120 years in the family (plus 30 years of working on the land before it was owned by my Great-Great-Grandad.) It was emotional but a pleasure to take my family around my childhood memories showing them every injury and adventure, including the secret door, which as a grown man turns out just to be a normal in-plain-sight door, although you look a little closer and it’s so much more than that.    

What are the current challenges for independent booksellers?

This question has a different answer depending when you ask me. I could rant about business rates, cost of living, schools not being able to afford to use an indie bookshop, the customers that ask for recommendations then say “thanks I’ll order online from someone else” but the big challenge is that the competition for book sales isn’t a level playing field. In Germany and France books aren’t discounted to the level they are in the UK. They are also more expensive abroad which is why indie bookshops flourish.

For most books I’m competitive with other physical and online shops in terms of price however for big hardback best sellers there is no contest. Other companies sell these books cheaper than I can buy them in. I’m not necessarily annoyed with them. I have a little frustration with the publishers for pricing indies out of sales, when there are hundreds of books which have become bestsellers on the of back indies hand-selling them and championing the authors.

In addition publishers are screwing themselves by selling to bigger companies at such a low price as it means authors, illustrators and others then don’t get paid their fair worth for the work they put into a book and the industry struggles as a result. Indies offer so much to a community and the ‘book world’ it can feel like a kick in the teeth when I see some of the deals out there. We introduced a journalist to an author recently and at the end of the article the link was to buy the book from the online big company. It wasn’t the author’s fault or the journalist’s (it was the temp who posted the article online), but that lack of thought or consideration still sucked.

A private school asked me to provide a book fair for staff in their school hall. I took 200 books and staff picked out the books they wanted. I offered what I felt was a competitive discount. I boxed the books per teacher and delivered them within 48 hours. When it came to paying the invoice though, the bursar suggested they wouldn’t pay me because across the 190 books they bought I was £10 more expensive than if they had bought them online. This school, who I hosted free school trips for, and took them World Book Day Books, were quibbling over £10 and completely ignoring all the other work involved. Teachers have since been banned from ordering from me because I am ‘too expensive’. The requests for free stuff still come in.

Then after all of the above I remind myself that some of these shops only offer the gateway drug to readers. We’re here for the hard stuff, the expertise and the experience only an indie bookshop can offer. We may not be used by that school but it means I can focus on other areas that will increase the revenue beyond their school order. When I have children’s authors available I will take them into the schools that support me as well as those who need it most. Some days it’s tougher to remind myself these things but I know deep down that I will keep doing our thing and we will be okay. It would be nice though if it was a little easier sometimes.

WILL WEST


1. Tell me a little bit about the farms you lived on as a child and your family’s farming background.

I grew up on two different farms, the first a dairy farm in Shropshire till I was 5 and then an arable and hop farm in Herefordshire where wew also kept sheep, cows and hens. Dad was from a long line of farmers in Cheshire and Mum’s family also farmed.

2. What do you remember about being a child on a farm?

Having so much space was pretty amazing, and going out on the quad bike around the fields was fun.

The fact that farming is a lifestyle, not a job. It determined what we did and when as a family.

The challenges of weather, I remember a drought year and the hops and as such our livelihood was just dying in the field and the tension this created in the house. The weather wasn’t always against us though and I loved the fun of watching a straw baler in the summer sunshine and warmth, watching the straw going in and the bale sledge sorting it in the bales.

During harvest time there was always a real hive of activity and sense of camaraderie. There was so much work involved in getting the the corn in and during hop picking we all worked 6 days a week from before 7AM to after 10pm with the hop drying process. I’d wake up physically tired but just getting on with the work and it flying by. Seeing the hops coming in and being processed, the noise, the hop smell and activity made it worth while, especially when it was all safely in.

3. What where the challenges to you as a farming family?

Dad was not around a lot and this was either working on the farm or spending time at the pub. As a child I found this upsetting, but as an adult who has now worked in an office for over 2 decades, I can see how lonely farming was for Dad. There was not a lot of social interaction and I can see now that the time Dad had at the pub was the equivalent I get from the chats at the coffe machine, sitting next to other people or having lunch with friends at work.

It was tough having no flexibility too. Holidays were hard so we didn’t go away too often and when we did it was a short break in this country.

4. You decided not to follow your parents into a career on the land. Was there a particular reason?

There are a number of factors.

- The lifestyle point I made above is key.

- The level of financial risk our farmers are exposed to, both from commodity pricing risk where you do not fully know what you will get for your crop when you plan it, and the risk of crop failure from factors that we just can’t control - something that is only getting harder with climate change.

I think farming now is harder than ever and I am in awe of those working so hard to keep us all fed.

5. Do you ever miss life on the farm?

I do miss being with nature and the time outdoors. There is such a sense of satisfaction of seeing a crop grow and harvest - I find it very grounding and I do miss having that on my doorstep. I make sure I get out into the countryside as much as possible so that I can still see the seasons change and the crops on other farms go through their cycle.